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The National Museum of Norway (Nasjonalmuseet) will host the first solo exhibition of Argentine sculptor Adrián Villar Rojas in Norway. Titled “Adrián Villar Rojas. The End of Imagination,” the show will run from 19 November 2026 to 7 March 2027 in the museum’s Light Halls (Sallat e Dritës) at Brynjulf Bulls Plass 3 in Oslo. The exhibition marks Rojas’s debut in Norway and the first major European presentation of his recent work. The artist, born in 1980, first gained international attention at the 2011 Venice Biennale and has since completed projects in cities such as Buenos Aires, Athens, Shanghai, Seoul and Aspen. Curated by Ingvild Krogvig and Ingvild Åse Hammervoll, the installation features monumental sculptures that combine natural elements—water, humidity, temperature changes, digital simulations, insects, fungi, and discarded objects—with human collaboration and time. The works are described as ecological, evolving organisms that never reach a fixed state. According to Artprice, the pieces are not meant to travel; they are opened, some remain in place, and fragments may be reused in future works, creating an ongoing archive. The exhibition’s title echoes Rojas’s 2022 work The End of Imagination I. Tickets and practical information are available on the National Museum’s official website. For Norwegian audiences, the show offers a rare chance to experience Rojas’s sculptures up close, emphasizing the dynamic relationship between material, space, and time. Article source: 24 Orë | Image credit: 24 Orë
The National Museum of Norway (Nasjonalmuseet) will host the first solo exhibition of Argentine sculptor Adrián Villar Rojas in Norway. Titled “Adrián Villar Rojas. The End of Imagination,” the show will run from 19 November 2026 to 7 March 2027 in the museum’s Light Halls (Sallat e Dritës) at Brynjulf Bulls Plass 3 in Oslo. The exhibition marks Rojas’s debut in Norway and the first major European presentation of his recent work. The artist, born in 1980, first gained international attention at the 2011 Venice Biennale and has since completed projects in cities such as Buenos Aires, Athens, Shanghai, Seoul and Aspen. Curated by Ingvild Krogvig and Ingvild Åse Hammervoll, the installation features monumental sculptures that combine natural elements—water, humidity, temperature changes, digital simulations, insects, fungi, and discarded objects—with human collaboration and time. The works are described as ecological, evolving organisms that never reach a fixed state. According to Artprice, the pieces are not meant to travel; they are opened, some remain in place, and fragments may be reused in future works, creating an ongoing archive. The exhibition’s title echoes Rojas’s 2022 work The End of Imagination I. Tickets and practical information are available on the National Museum’s official website. For Norwegian audiences, the show offers a rare chance to experience Rojas’s sculptures up close, emphasizing the dynamic relationship between material, space, and time.
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