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On the evening of 3 September, the Estonian Concert Hall hosted a performance by the French Youth Orchestra conducted by Kristiina Poska. After the concert, the author described feeling a strong emotional response, noting that the experience was both controversial and joyful. The author observed that youth orchestras often play with greater enthusiasm than professional ensembles, a characteristic also evident in the French Youth Orchestra. Poska described the ensemble as a “tundlikumaks instrumendiks” (more sensitive instrument) compared to professional orchestras, adding that working with the group brings a pedagogical and psychological dimension to conducting. She noted that the orchestra responded to her with exceptional energy on stage. The article was originally published on Sirp. Article source: sirp.ee | Image credit: RSS – Uudisvood
On the evening of 3 September, the Estonian Concert Hall hosted a performance by the French Youth Orchestra conducted by Kristiina Poska.
After the concert, the author described feeling a strong emotional response, noting that the experience was both controversial and joyful.
The author observed that youth orchestras often play with greater enthusiasm than professional ensembles, a characteristic also evident in the French Youth Orchestra.
Poska described the ensemble as a “tundlikumaks instrumendiks” (more sensitive instrument) compared to professional orchestras, adding that working with the group brings a pedagogical and psychological dimension to conducting.
She noted that the orchestra responded to her with exceptional energy on stage.
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